Date of Award
Spring 2021
Document Type
Thesis
Department
Music
College
College of Arts and Media
Primary Advisor
Dr. Daniel Gordon
Abstract
Live music performance, specifically in a contemporary and modem atmosphere, such as in pop, rock, and hip-hop musical genres in a corporate concert environment, is constantly innovating. As technology advances, so does its incorporation into live performance, marketing media, and digital music. Over the course of centuries, music listeners have enjoyed music of various genres through numerous types of media; however, what remains consistent in these avenues of musical exposure is the psychology of those listeners. This thesis aims to observe what consumers of music look for in live concert and digital music streaming environments, how performers have adapted and can continue to adapt to the needs of listeners over time, and technology's impact, such as through the introduction of digital music streaming platforms, on the presence of live contemporary music performances. A study, inspired by research conducted by Dr. Steven Caldwell Brown and Dr. Don Knox, was conducted regarding the digital music streaming and concert attending habits of listeners, as a means of better understanding the music listening preferences amongst college-aged students. One-hundred six students of a private Christian university participated. The results of this study implied the overwhelming popularity of streaming music and that prior concert experience would likely cause an increase in music consumption.
Recommended Citation
Isenhour, Jessica, "LIVE PERFORMANCE, DIGITAL MUSIC, AND THE MUSIC LISTENER EXPERIENCE" (2021). Selected Honors Theses. 143.
https://firescholars.seu.edu/honors/143
Included in
Music Education Commons, Musicology Commons, Music Performance Commons, Music Practice Commons